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There is no reliable way to date amps other than to ask Fender customer support to look up the date from the serial number, although you may find a date code on the speaker. Early Tweeds The early green board tweed-covered amps were not lacquered. Once again, only the speaker is different. It is not old stock. It has the same cream board inside with the same components as every other current-production Blues Junior. Other Variants The Blues Junior chassis has also been used in the Two-Tone, a large amp with a inch and a inch speaker. The chassis can also be found in the weird, plastic-cased Deco-Tone and in some Custom Shop amps with exotic wood cases such as bubinga. Other cabinet coverings include blond Tolex, dark brown Tolex with a wheat-colored grille custom for a Canadian music store chain , and the Texas Red Tolex. Stock Speakers Outside the chassis, Fender has used several different speakers in some Blues Junior models.

Fender Twin (The Evil Twin)

I promise the tables will still be there after you finish reading. We also received a report of a tweed 5G12 Concert. The 5G12 Concert is the earliest version from very late and early so the existence of a tweed example, while extremely rare, is certainly plausible since Fender was making lots of tweed amps during the same time period.

Working at FMI — I was able to interview a fellow who wishes to remain anonymous who worked at Fender in in the amp department.

The Fender Bassman is a bass amplifier introduced by Fender during [citation needed] Initially intended to amplify bass guitars, the 5B6 Bassman was used by musicians for other instrument amplification, including the electric guitar, harmonica, and pedal steel s being a popular and important amplifier in its own right, the Bassman also became the foundation on which.

The condition of this high end instrument is excellent plus and this guitar is simply wonderful. Only the highest grade woods used as you can see This guitar shows very little fret wear. There are just a few minor nicks or scratches which is normal wear for a guitar of this vintage that has been lovingly played. This one is a one owner adult owned guitar and comes with its high quality custom hard shell case too. With room-filling projection, the CY is a guaranteed conversation starter.

You hear it in the elegant pacing of a classical air. You see it in the vivid charm of a folk dance. These early issue Red Label Guitars from Korea utilize the very same materials that were made in Japan. This era exhibits just the same just as nice woods as those Japanese big dollar players but ” SOME” not all are hidden treasures and are still a real bargain today when compared to the Japanese Red Label versions or a Martin or even Japan made models of this quality This guitar does not take the back seat to the Red Label Nippon Gakki version at all.

It comes with a new set of Martin strings installed ready to play out of the box. This baby is nice and sweet in person

66 pro reverb

Fender amp “tailed” logo Fender amp “tailless” logo Fender amplifiers have a long history. Leo Fender began building guitar amps before he started manufacturing guitars. The original Fender amps were tube-powered and the company also started producing solid-state models in the late s.

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I will be organizing this much better as time goes on. Amira’s Jewish Deli – on So good, so long. Big C – liquor lounge was torn down on University to build the Target. They moved just the liquor store across the street. Cairo – on Sunday night. Usually spent Saturday’s with Gram there. That’s been gone a loooong time. That was THE Denny’s. The Grind coffee shop.

Fender Amplifiers

It’s just my opinion, but I think the slightly larger cab makes the amp sound even better. The thing is with this PR, I got it for a pretty good price in the first place. And I bought it for it’s functionality, not it’s ‘collectors value’.

Jan 03,  · The stamp reads “A” and the dating [The Amp Guide] Re: couple of questions on my silverface Bandmaster Reverb > > best sounding mess i’ve ever owned. there’s nothing at all wrong with > he amp other than the reverb. happens to have a mismatched cab that i 65 Princeton Reverb, or 66 Pro Reverb, etc.).

While guitarists in the early part of this century played country, folk or blues on acoustic guitars, in the ‘s, jazz musicians experimented with amplifying traditional hollow-body guitars so they could play with other instruments at the same sound level. One problem was that the speakers and pickups tended to generate feedback when played at a high level. In the ‘s, a California inventor named Leo Fender had made some custom guitars and amplifiers in his radio shop.

Eventually, Leo would create the world’s very first instrument amplifiers with built-in tone controls. More importantly, though, was Leo’s vision of better guitar. With his knowledge of existing technologies, he knew he could improve on contemporary amplified hollow-body instruments. Over the next two decades, Fender Musical Instruments experienced some tremendous growth. But as time wore on, CBS’s lack of commitment and real understanding of music and musicians was becoming apparent.

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The Vibrolux and Pro were very similar. Many of the components were the same, chassis, boards etc. The Pro reverb used 12″ speakers, produced 40W, had higher voltage transformers and only used an AA or AB circuit. Its possible they both used the same output transformers. The difference between 35 and 40W isn’t much. The power transformers did have higher voltages for the pro however.

– Deluxe Reverb, Deluxe reverb II, Princeton Reverb, Princeton Reverb II, Super Champ, Twin Reverb and Twin Reverb II, all disc. – The Twin, Twin-Amp, Champ 12, Dual showman, dual showman reverb (thankfully short “Red Knob era begins).

You just gotta have that amp or that guitar. Even if you already own plenty. Man will never stop coming up with ideas and rationale for why he constantly needs to aquire more gear. Man convinces himself, the wife and all who stands in between the gear and himself — the only responsible thing to do now, is to go get that gear.

Man needs, man deserves. So, why constantly seeking for changes? But if your amp is a mint vintage peace of gear with high collector value, be careful and think through what you do. You may get asked — why mod a classical tube amp to be some other wanna-be amp?

Help dating a Silverface Princeton

The progress of this type of work is slow, hence the long hiatus, however, a lot of new data have been collected regarding Fender amplifiers, including production numbers. Advances have been made with regards to the production of tolex amps and it appears that much of this information can be applied to late s tweed amps as well.

In addition, the dating-by-serial number tables have been revised and are more accurate.

GAS Stereo-Vib (tweed): 2x18W 4×8″ and 1×12″ Guitar Combo with Stereo Vibrato Speakers: 4×8″ & 1×12″ (Jensens) Inputs: 2 stereo, 2 mono Channels: 2 Volume Controls: 2.

Email us for information glp conwaycorp. YouTube Channel for Tube Amps previews, new product demos and more! Do you want to know more about how it works and how to keep it working? Are you interested in building your own tube amp? Have you wondered what those funny looking parts inside your amp are and what they do? No technical jargon or “geekenese”. Just all kinds of tips and tricks, while you watch from your easy chair.

This video was inspired by a recent sale on eBAY in which the seller, a highly regarded California dealer, described a “museum quality” Fender Deluxe Reverb. The problem for the buyer was – it wasn’t what it was represented to be. This happens on eBay every day.

Jim Campilongo Fender Princeton Reverb Amplifier

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